ESCAPE AI MEDIA, the neocinema platform founded by John Gaeta, has just launched a new collection of immersive, explorable worlds built from the landscapes of AI-driven films — and I’m excited to be part of the first wave. Together with Jan-Willem Blom and Kavan Cardoza, I’ve transformed my project The Spell into a navigable environment, turning images into a space you can actually inhabit.

IMAGE PLAY 2025 selects eight of my works: a cross-cultural showcase curated by Hernando Urrutia, where AI-driven storytelling meets experimental video art.

I am pleased to share that three of my recent video works are being presented in this year's edition of The Wrong Biennale, each in a different curatorial pavilion. Since its founding in 2013, The Wrong has become one of the most vital platforms for contemporary digital experimentation — a decentralized, global constellation of exhibitions where artists test forms, challenge assumptions, and expand the space of digital culture.

Paper World is a poetic AI short film by Francesca Fini — a fragile universe built from lost love letters, where art, AI, and memory merge into life.

Somnium Corvi is an experimental AI film that blends surreal cinema, performance art, and dreamlike architecture. Created through the innovative Vibe Prompting method, the work explores human-AI collaboration, symbolic costumes, and oneiric transitions inside an abandoned church, redefining the future of storytelling and digital live art.

Decoherence is a haunting anthology of AI-generated short films inspired by the golden era of vintage sci-fi radio dramas from the 1960s and 1970s. These sonic and visual hallucinations revive the nostalgic aesthetic of analog futurism while pushing it through the lens of modern AI storytelling.