From the sterile, brutalist "Temple" of the protagonist’s home to the banal, chilling logistics of a crime scene cleanup, The Midnight Wolf is a manifesto for the birth of Neo-Cinema. Discover how intent, not just pixels, is the true engine of the future of film.

IMAGE PLAY 2025 selects eight of my works: a cross-cultural showcase curated by Hernando Urrutia, where AI-driven storytelling meets experimental video art.

Paper World is a poetic AI short film by Francesca Fini — a fragile universe built from lost love letters, where art, AI, and memory merge into life.

LOVE: the first videoperformance art film made with AI. In a post-human wasteland, Karma—cloaked in mirrored shards—roams abandoned mines and cloth deserts, reflecting a civilization in ruin.

The video mixes different animation techniques and aesthetic codes, from traditional 3D to Artificial Intelligence.

I'm thrilled to announce that my 3D film, "Paradise Lost," will be showcased as an awe-inspiring installation at File Festivival.

I am very happy that my film Paradise Lost is in competition in the Experimental section of the Accordi e Disaccordi Film Festival.

I'm very happy that my new video Paradise Lost is in the Focal Competition at Supernova 7th Dimension edgy digital animation Festival.

I am pleased to announce that on August 5, at the Isola del Cinema in Rome (Isola Tiberina), I will present my new film Paradise Lost.

Happy to be part of the exhibition Il Video Rende Felici, which intends to offer historical and critical perspective on video art in Italy.

I am very pleased to announce the production of a new version of my award-winning video Skinned (2018).

My video White Noise is part of a new artcast by NIIO platform celebrating International Women's Day.

To explore intersections, metabolisms and contaminations that exist between performance art, filmmaking and docufilm.